10/1/25
Maybe I shoud spell my name in all lowercase like bell hooks
10/2/25
Staying focused can be detrimental
Looping brown noise, rumbling in my noise-canceling headphones, blocking out distractions, numbing my radar
Leave room for x quantities
You don’t know what that pot is going to be yet
Maybe I shoud spell my name in all lowercase like bell hooks
10/2/25
Staying focused can be detrimental
Looping brown noise, rumbling in my noise-canceling headphones, blocking out distractions, numbing my radar
Leave room for x quantities
You don’t know what that pot is going to be yet
10/9/25
microaggression + transgression = microtransgression
an indirect, subtle statement or action by members of a marginalized group that goes against a law, rule, or code of conduct. Microtransgressions often reclaim power and subjectivity by crossing boundaries that maintain oppression, but not enough to jeopardize one's own safety.
10/12/25
can the constraints of binary thought be a good thing?
microaggression + transgression = microtransgression
an indirect, subtle statement or action by members of a marginalized group that goes against a law, rule, or code of conduct. Microtransgressions often reclaim power and subjectivity by crossing boundaries that maintain oppression, but not enough to jeopardize one's own safety.
10/12/25
can the constraints of binary thought be a good thing?
10/19/25
anxiety is the dizziness of freedom
having constraints is liberating
what happens when you don’t have a “studio?”
the greatest freedom is to have no choice
“In a medium like clay, anything can be done and I think that’s dangerous. It’s too fluid, too fascile. The very freedom is a kind of anti-sculpture to me. When I work with a material like stone, I want it to look like stone. You can make clay look like anything, that’s the danger.” -Isamu Noguchi
anxiety is the dizziness of freedom
having constraints is liberating
what happens when you don’t have a “studio?”
the greatest freedom is to have no choice
“In a medium like clay, anything can be done and I think that’s dangerous. It’s too fluid, too fascile. The very freedom is a kind of anti-sculpture to me. When I work with a material like stone, I want it to look like stone. You can make clay look like anything, that’s the danger.” -Isamu Noguchi